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Experiencing Music
Here, Holmboe discusses many issues facing the composer, performer and listener, giving especial attention to the most basic questions about musical experience. Vagn Holmboe [1909-96], was one of the most important composers of his era, and arguably the most important Danish composer after Carl Nielsen. A composer for over 60 years, and a teacher for more than 30, he wrote over 300 compositions in nearly every musical genre, music criticism, many other articles and two other books. Here, in a volume intended for the general reader, he discusses the nature of music, from the point of view of the composer, the performer and the listener. Where do musical ideas come from? What are composers' wo...
Svetik
A profusely-illustrated examination of the childhood and formative years of Sviatoslav Richter, whose name has been synonymous with the pinnacle of pianistic art.
Comrades in Art
The two men soon found that, despite their half-century difference in age, they had many affinities. Both were pianists of staggering abilities and composers who combined a love for folk-music and working-class art with an aesthetic that proposed a `world music' to include the farthest reaches of humanity. Both made an art of piano trascription of a wide variety of works and were champions of little-known music and composers. And both revered the work of Walt Whitman, that great poet of inclusivity, the pioneering spirit and the open road. --
Pandemonium
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George Enescu
The Romanian composer George Enescu ([881-1955] is one of the neglected giants of the twentieth century. Prodigiously gifted, he became best known in America as a conductor [where he was considered as a successor to Toscanini in New York] and in Europe as one of the greatest violinists of the century. But he was first and foremost a composer; and, tragically, his mature works - works of extraordinary emotional depth and intricate beauty - remain almost unknown outside Romania. This, the first full-length study of Enescu and his music to be written in the West, tells the story of his life and development as a composer. All of Enescu's published compositions, and many unpublished works, are discussed, and there is a detailed list of Enescu's compositions and a list of all his known recordings as conductor, violinist and pianist. The book is intended for the non-specialist reader as well as the musicologist. NOEL MALCOLM, the historian, philosopher and journalist, is the leading authority on Enescu.
Blood & Iron
Until now Hugh Butterworth was just one of the millions of lost soldiers of the Great War, and the extraordinary letters he sent home from the Western Front have been forgotten. But after more than ninety years of obscurity, these letters, which describe his experience of war in poignant detail, have been rediscovered, and they are published here in full. They are a moving, intensely personal and beautifully written record by an articulate and observant man who witnessed at first hand one of the darkest episodes in European history. In civilian life Butterworth was a dedicated and much-loved schoolmaster and a gifted cricketer, who served with distinction as an officer in the Rifle Brigade from the spring of 1915. His letters give us a telling insight into the thoughts and reactions of a highly educated, sensitive and perceptive individual confronted by the horrors of modern warfare. He was killed on the Bellewaarde ridge near Ypres on 25 September 1915, and his last letter was written on the eve of the action in which he died.
Dimensions of Energy in Shostakovich's Symphonies
Shostakovich's music is often described as being dynamic, energetic. But what is meant by 'energy' in music? After setting out a broad conceptual framework for approaching this question, Michael Rofe proposes various potential sources of the perceived energy in Shostakovich's symphonies, describing also the historical significance of energeticist thought in Soviet Russia during the composer's formative years. The book is in two parts. In Part I, examples are drawn from across the symphonies in order to demonstrate energy streams within various musical dimensions. Three broad approaches are adopted: first, the theories of Boleslav Yavorsky are used to consider melodic-harmonic motion; second,...
Divine Generosity and Human Creativity
Partly in a desire to defend divine freedom and partly because it is seen as the only way of preserving a distinctive voice for theology, much contemporary theology has artificially restricted revelation and religious experience, effectively cutting off those who find God beyond the walls of the Church. Against this tendency, David Brown argues for divine generosity and a broader vision of reality that sees God deploying symbols (literary, visual and sacramental) as a means of mediating between the divine world and our own material existence. A sustained argument for divine interaction and more specifically the ways in which God speaks in the wider imaginative world, this volume calls for a careful listening exercise since symbols are richer and more open in their possibilities than their users often suppose. Not only is this true of the imagery of Scripture, even inanimate objects like buildings or hostile but creative artists can have important things to say to the believing Christian. An ideal introduction that also moves the conversation forward, this volume addresses foundations, the multivalent power of symbols, artists as theologians and meaning in religious architecture.
A New English Music
The turn of the 20th century was a time of great change in Britain. The empire saw its global influence waning and its traditional social structures challenged. There was a growing weariness of industrialism and a desire to rediscover tradition and the roots of English heritage. A new interest in English folk song and dance inspired art music, which many believed was seeing a renaissance after a period of stagnation since the 18th century. This book focuses on the lives of seven composers--Ralph Vaughan Williams, Gustav Holst, Ernest Moeran, George Butterworth, Philip Heseltine (Peter Warlock), Gerald Finzi and Percy Grainger--whose work was influenced by folk songs and early music. Each chapter provides an historical background and tells the fascinating story of a musical life.
